2021

• Størvold, Tore; Richardson, John. (2021) Radioactive Music: The Eerie Agency of Hildur Guðnadóttir’s Music for the Television Series Chernobyl. Music and the Moving Image. volum 14 (3).
  Vitenskapelig artikkel

2020

• Størvold, Tore. (2020) Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”. Journal of Aesthetics and Culture. volum 12 (1).
  Vitenskapelig artikkel
• Størvold, Tore. (2020) Sounds Icelandic. Edited By Þorbjörg Daphne Hall, Nicola Dibben, Árni Heimir Ingólfsson and Tony Mitchell. Sheffield: Equinox, 2019. 233 pp. ISBN 13 978 1 78179 145 5. Popular Music. volum 39 (2).
  Anmeldelse

2019

• Devine, Kyle; Kraugerud, Emil; Jones, Ellis Nathaniel; Størvold, Tore. (2019) First Things First. First Things First
  Musikk - komposisjon
• Hawkins, Stan; Størvold, Tore. (2019) Justin Timberlake's "Man of the Woods": Lumbersexuality, Nature, and Larking Around. The Bloomsbury Handbook of Popular Music Video Analysis.
  Vitenskapelig Kapittel/Artikkel/Konferanseartikkel
• Jones, Ellis Nathaniel; Kraugerud, Emil; Størvold, Tore; Devine, Kyle. (2019) Dragging the Lake. Dragging the Lake
  Musikk - komposisjon
• Størvold, Tore. (2019) Dissonant Landscapes: Nature and the Musical Imagination of Iceland. 2019.
  Doktorgradsavhandling

2018

• Størvold, Tore. (2018) Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland. Popular music and society.
  Vitenskapelig artikkel
• Størvold, Tore. (2018) Sigur Ros: Reception, borealism, and musical style. Popular Music. volum 37 (3).
  Vitenskapelig artikkel

2016

• Størvold, Tore; Howland, John. (2016) Beats, Strings and Volcanic Things: Cross-genre Musical Practices in the Independent Music Scene in Reykjavík, Iceland. Norges teknisk-naturvitenskapelige universitet. 2016.
  Mastergradsoppgave