John Howland
Om
Kompetanseord
Publikasjoner
2024
-
Howland, John.
(2024)
Paul Whiteman and Modern Metropolitan Music, 1927-40.
Vitenskapelig kapittel
2023
-
Howland, John Louis.
(2023)
Paul Whiteman and Glorified 'Modern American Music,' 1927–1934.
Vitenskapelig kapittel
2022
-
Howland, John Louis.
(2022)
'Let the Music Play' (1975): Hearing the Disco Mainstream in Barry White.
Vitenskapelig kapittel
2021
-
Howland, John.
(2021)
Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music.
University of California Press
Vitenskapelig monografi
-
Howland, John.
(2021)
Populuxe Redux in the Glamour of Billie Eilish’s “No Time to Die”.
University of California Press Blog
Populærvitenskapelig artikkel
2020
-
Howland, John.
(2020)
The Classy Populuxe Songbook.
Journal of the American Musicological Society
Vitenskapelig artikkel
2018
-
Howland, John.
(2018)
Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul.
Vitenskapelig kapittel
-
Howland, John.
(2018)
On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973.
Vitenskapelig kapittel
2017
-
Howland, John.
(2017)
Preface.
Innledning i antologi
-
Howland, John.
(2017)
Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer.
Vitenskapelig kapittel
-
Howland, John.
(2017)
Duke Ellington Studies.
Cambridge University Press
Antologi
2016
-
Jordbrekk, Anders;
Howland, John.
(2016)
The Influence of the Past - A Study of Retromania and Technostalgia in Contemporary Popular Music.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Opedal, Åsmund Hjorthol;
Howland, John.
(2016)
Motorpsycho på museum - Ein studie av Rockheim som formidlar av populærmusikkens historie.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Schanke, Janne Kristin;
Howland, John.
(2016)
Den autentiske sangeren - Sangere er lyttere i en undersøkelse av det autentiske vokaluttrykket i populærmusikk.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Howland, John;
Wriggle, John.
(2016)
Edward Kennedy "Duke" Ellington.
Populærvitenskapelig kapittel
-
Størvold, Tore;
Howland, John.
(2016)
Beats, Strings and Volcanic Things Cross-Genre Musical Practices in the Independent Music Scene in Reykjavík, Iceland.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
2015
-
Krokan, Eva Lise Haaland;
Howland, John.
(2015)
Sangeren i vokalensemblet - Om musikalske og sosiale dimensjoner i sangerkollektivet.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Hammer, Håkon;
Howland, John.
(2015)
Musikk i butikk - En studie av hvordan «bakgrunnsmusikk» brukes i klesbutikk.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
2014
-
Howland, John.
(2014)
Artful Entertainment: Ellington's Formative Years in Context.
Vitenskapelig kapittel
-
Rånes, Brian Christer Nebb;
Howland, John.
(2014)
Chocolate, Mustard and a Fox - Norwegian K-Pop, Its Production and Performance.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Howland, John.
(2014)
"Reflections on Contemporary Ellingtonia," invited contribution to Musicology Now, the official blog of the American Musicologyca Society.
Musicology Now (the official blog of the American Musicological Society)
Populærvitenskapelig artikkel
-
Dunkel, Mario;
Howland, John;
Gruenzweig, Walter.
(2014)
The Stories of Jazz: Performing America Through Its Musical History.
Technische Universität Dortmund
Doktoravhandling
2013
-
McFarland, Christian;
Howland, John.
(2013)
If You Believe in What You Do: The Music and Life of Freddie King.
Rutgers University Newark
Masteroppgave
-
Ariff, Alexander;
Howland, John.
(2013)
Jazz and Poetry: Recorded Collaborations, 1957-1959.
Rutgers University Newark
Masteroppgave
-
Howland, John.
(2013)
Ellingtonia, Historically Speaking.
The Musical Quarterly
Leder
2012
-
Pepper, James E.;
Howland, John.
(2012)
From Jazz Messenger to Forerunner: The Life and Music of Jymie Merritt.
Rutgers University Newark
Masteroppgave
-
Howland, John.
(2012)
“‘Jazz’ with Strings: Between Jazz and the Great American Songbook.”.
Vitenskapelig kapittel
-
Howland, John.
(2012)
West Coast Jazz.
Kapittel i oppslagsverk
-
Howland, John.
(2012)
Third Stream.
Kapittel i oppslagsverk
-
Howland, John.
(2012)
Cool Jazz.
Kapittel i oppslagsverk
2011
-
Rodriguez, Alex Warner;
Howland, John.
(2011)
White and Blue: Alternate Takes on Jack Teagarden.
Rutgers University Newark
Masteroppgave
-
Michelsen, Gretchen;
Howland, John.
(2011)
Harry Connick, Jr.: When Entertainment Meets Artistry.
Rutgers University Newark
Masteroppgave
-
Ainsworth, Sean;
Howland, John.
(2011)
An Exploration into the Influence and Innovations of Edward Van Halen.
Rutgers University Newark
Masteroppgave
2010
-
Perrott, David;
Howland, John.
(2010)
Norwegian Jazz: A New Jazz Aesthetic.
Rutgers University Newark
Masteroppgave
-
Negley, Jarrod;
Howland, John.
(2010)
Sweet and Brutal: The Life and Music of Sonny Sharrock.
Rutgers University Newark
Masteroppgave
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives
Leder
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives
Leder
2009
-
Pauley, Jared;
Howland, John.
(2009)
Hip-Hop and the Jazz Tradition.
Rutgers University Newark
Masteroppgave
-
Wendell, Eric;
Howland, John.
(2009)
Ornette Coleman’s “Skies of America”.
Rutgers University Newark
Masteroppgave
-
Howland, John.
(2009)
Letter from the Editor.
Jazz Perspectives
Leder
-
Howland, John.
(2009)
Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz.
University of Michigan Press
Vitenskapelig monografi
-
Howland, John.
(2009)
Ellingtonian Extended Composition and the Symphonic Jazz Model.
Annual Review of Jazz Studies
Vitenskapelig artikkel
2008
-
Lomanno, Mark;
Howland, John.
(2008)
Topics on Afro-Cuban Jazz in the United States.
Rutgers University Newark
Masteroppgave
-
Sroka, Bradley;
Howland, John.
(2008)
New Beginnings: The Music of Don Pullen and a Recontextualization of the 1960s Jazz Avant Garde.
Rutgers University Newark
Masteroppgave
-
Howland, John;
Porter, Lewis.
(2008)
Letter from the Editors.
Jazz Perspectives
Leder
2007
-
Tenenholtz, David;
Howland, John.
(2007)
Out of Nowhere: The Rise of the National Jazz Tradition in Sweden, 1945-1976.
Rutgers University Newark
Masteroppgave
-
Lescovic, Matthew;
Howland, John.
(2007)
Charles Lloyd: A Journey Within.
Rutgers University Newark
Masteroppgave
-
Howland, John;
Porter, Lewis.
(2007)
From "Perspectives in Jazz" to "Jazz Perspectives".
Jazz Perspectives
Leder
-
Howland, John;
Porter, Lewis.
(2007)
Letter from the Editors.
Jazz Perspectives
Leder
-
Howland, John.
(2007)
"The Blues Get Glorified": Harlem Entertainment, "Negro Nuances," and Black Symphonic Jazz.
The Musical Quarterly
Vitenskapelig artikkel
2006
-
Goldberg, Corey;
Howland, John.
(2006)
Raymond Scott: Rediscovering the Forgotten Wit of Jazz.
Rutgers University Newark
Masteroppgave
-
Howland, John.
(2006)
Jazz Rhapsodies in Black and White: James P. Johnson’s "Yamekraw".
American Music
Vitenskapelig artikkel
2003
-
Howland, John.
(2003)
The Whitemanesque Roots of Early Ellingtonian Extended Jazz Composition.
International Association of Jazz Education
Antologi
2002
-
Howland, John.
(2002)
Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920-1944.
Stanford University Press
Doktoravhandling
1994
-
Howland, John.
(1994)
Hugo Wolf’s Wilhelm Meister Lieder as Fin-de-siècle Music Drama.
Boston University
Masteroppgave
Tidsskriftspublikasjoner
-
Howland, John.
(2020)
The Classy Populuxe Songbook.
Journal of the American Musicological Society
Vitenskapelig artikkel
-
Howland, John.
(2013)
Ellingtonia, Historically Speaking.
The Musical Quarterly
Leder
-
Howland, John;
Porter, Lewis.
(2007)
From "Perspectives in Jazz" to "Jazz Perspectives".
Jazz Perspectives
Leder
-
Howland, John.
(2014)
"Reflections on Contemporary Ellingtonia," invited contribution to Musicology Now, the official blog of the American Musicologyca Society.
Musicology Now (the official blog of the American Musicological Society)
Populærvitenskapelig artikkel
-
Howland, John.
(2021)
Populuxe Redux in the Glamour of Billie Eilish’s “No Time to Die”.
University of California Press Blog
Populærvitenskapelig artikkel
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives
Leder
-
Howland, John.
(2009)
Letter from the Editor.
Jazz Perspectives
Leder
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives
Leder
-
Howland, John;
Porter, Lewis.
(2007)
Letter from the Editors.
Jazz Perspectives
Leder
-
Howland, John;
Porter, Lewis.
(2008)
Letter from the Editors.
Jazz Perspectives
Leder
-
Howland, John.
(2007)
"The Blues Get Glorified": Harlem Entertainment, "Negro Nuances," and Black Symphonic Jazz.
The Musical Quarterly
Vitenskapelig artikkel
-
Howland, John.
(2006)
Jazz Rhapsodies in Black and White: James P. Johnson’s "Yamekraw".
American Music
Vitenskapelig artikkel
-
Howland, John.
(2009)
Ellingtonian Extended Composition and the Symphonic Jazz Model.
Annual Review of Jazz Studies
Vitenskapelig artikkel
Bøker
-
Howland, John.
(2003)
The Whitemanesque Roots of Early Ellingtonian Extended Jazz Composition.
International Association of Jazz Education
Antologi
-
Howland, John.
(2021)
Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music.
University of California Press
Vitenskapelig monografi
-
Howland, John.
(2017)
Duke Ellington Studies.
Cambridge University Press
Antologi
-
Howland, John.
(2009)
Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz.
University of Michigan Press
Vitenskapelig monografi
Del av bok/rapport
-
Howland, John Louis.
(2022)
'Let the Music Play' (1975): Hearing the Disco Mainstream in Barry White.
Vitenskapelig kapittel
-
Howland, John Louis.
(2023)
Paul Whiteman and Glorified 'Modern American Music,' 1927–1934.
Vitenskapelig kapittel
-
Howland, John.
(2024)
Paul Whiteman and Modern Metropolitan Music, 1927-40.
Vitenskapelig kapittel
-
Howland, John.
(2012)
“‘Jazz’ with Strings: Between Jazz and the Great American Songbook.”.
Vitenskapelig kapittel
-
Howland, John.
(2012)
West Coast Jazz.
Kapittel i oppslagsverk
-
Howland, John.
(2012)
Third Stream.
Kapittel i oppslagsverk
-
Howland, John.
(2012)
Cool Jazz.
Kapittel i oppslagsverk
-
Howland, John.
(2014)
Artful Entertainment: Ellington's Formative Years in Context.
Vitenskapelig kapittel
-
Howland, John.
(2018)
Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul.
Vitenskapelig kapittel
-
Howland, John.
(2018)
On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973.
Vitenskapelig kapittel
-
Howland, John.
(2017)
Preface.
Innledning i antologi
-
Howland, John;
Wriggle, John.
(2016)
Edward Kennedy "Duke" Ellington.
Populærvitenskapelig kapittel
-
Howland, John.
(2017)
Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer.
Vitenskapelig kapittel
Studentoppgave eller avhandling
-
Pauley, Jared;
Howland, John.
(2009)
Hip-Hop and the Jazz Tradition.
Rutgers University Newark
Masteroppgave
-
Rodriguez, Alex Warner;
Howland, John.
(2011)
White and Blue: Alternate Takes on Jack Teagarden.
Rutgers University Newark
Masteroppgave
-
McFarland, Christian;
Howland, John.
(2013)
If You Believe in What You Do: The Music and Life of Freddie King.
Rutgers University Newark
Masteroppgave
-
Tenenholtz, David;
Howland, John.
(2007)
Out of Nowhere: The Rise of the National Jazz Tradition in Sweden, 1945-1976.
Rutgers University Newark
Masteroppgave
-
Lescovic, Matthew;
Howland, John.
(2007)
Charles Lloyd: A Journey Within.
Rutgers University Newark
Masteroppgave
-
Michelsen, Gretchen;
Howland, John.
(2011)
Harry Connick, Jr.: When Entertainment Meets Artistry.
Rutgers University Newark
Masteroppgave
-
Lomanno, Mark;
Howland, John.
(2008)
Topics on Afro-Cuban Jazz in the United States.
Rutgers University Newark
Masteroppgave
-
Sroka, Bradley;
Howland, John.
(2008)
New Beginnings: The Music of Don Pullen and a Recontextualization of the 1960s Jazz Avant Garde.
Rutgers University Newark
Masteroppgave
-
Pepper, James E.;
Howland, John.
(2012)
From Jazz Messenger to Forerunner: The Life and Music of Jymie Merritt.
Rutgers University Newark
Masteroppgave
-
Wendell, Eric;
Howland, John.
(2009)
Ornette Coleman’s “Skies of America”.
Rutgers University Newark
Masteroppgave
-
Perrott, David;
Howland, John.
(2010)
Norwegian Jazz: A New Jazz Aesthetic.
Rutgers University Newark
Masteroppgave
-
Ainsworth, Sean;
Howland, John.
(2011)
An Exploration into the Influence and Innovations of Edward Van Halen.
Rutgers University Newark
Masteroppgave
-
Ariff, Alexander;
Howland, John.
(2013)
Jazz and Poetry: Recorded Collaborations, 1957-1959.
Rutgers University Newark
Masteroppgave
-
Negley, Jarrod;
Howland, John.
(2010)
Sweet and Brutal: The Life and Music of Sonny Sharrock.
Rutgers University Newark
Masteroppgave
-
Jordbrekk, Anders;
Howland, John.
(2016)
The Influence of the Past - A Study of Retromania and Technostalgia in Contemporary Popular Music.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Opedal, Åsmund Hjorthol;
Howland, John.
(2016)
Motorpsycho på museum - Ein studie av Rockheim som formidlar av populærmusikkens historie.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Schanke, Janne Kristin;
Howland, John.
(2016)
Den autentiske sangeren - Sangere er lyttere i en undersøkelse av det autentiske vokaluttrykket i populærmusikk.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Howland, John.
(1994)
Hugo Wolf’s Wilhelm Meister Lieder as Fin-de-siècle Music Drama.
Boston University
Masteroppgave
-
Krokan, Eva Lise Haaland;
Howland, John.
(2015)
Sangeren i vokalensemblet - Om musikalske og sosiale dimensjoner i sangerkollektivet.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Howland, John.
(2002)
Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920-1944.
Stanford University Press
Doktoravhandling
-
Hammer, Håkon;
Howland, John.
(2015)
Musikk i butikk - En studie av hvordan «bakgrunnsmusikk» brukes i klesbutikk.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Rånes, Brian Christer Nebb;
Howland, John.
(2014)
Chocolate, Mustard and a Fox - Norwegian K-Pop, Its Production and Performance.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Goldberg, Corey;
Howland, John.
(2006)
Raymond Scott: Rediscovering the Forgotten Wit of Jazz.
Rutgers University Newark
Masteroppgave
-
Størvold, Tore;
Howland, John.
(2016)
Beats, Strings and Volcanic Things Cross-Genre Musical Practices in the Independent Music Scene in Reykjavík, Iceland.
Norges teknisk-naturvitenskapelige universitet
Masteroppgave
-
Dunkel, Mario;
Howland, John;
Gruenzweig, Walter.
(2014)
The Stories of Jazz: Performing America Through Its Musical History.
Technische Universität Dortmund
Doktoravhandling
Undervisning
Emner
- MUSV3153 - Populærmusikk og teknologi
- MUSV2033 - Bacheloroppgave i musikkvitenskap
- MUSV1031 - Musikk, kultur og samfunn i historisk perspektiv
- MUSV3110 - Soul of a Nation: Svart amerikansk populærmusikk, fra R&B til hip-hop
- MUSV3122 - Jazzstudier
- MUSV1102 - Filmmusikk
- MUSV3006 - Masteroppgave i musikkvitenskap
- MUSV3004 - Musikkvitenskap: Metoder, teorier, etikk
- MUSV6007 - Populærmusikk og teknologi
- MUSV3115 - Musikk og kultur i 1970-årenes New York
- MUSV1103 - Populærmusikk
Formidling
2022
-
ForedragHowland, John; Dubowsky, Jack. (2022) Music for Middlebrows: Jack Dubowsky, 'Easy Listening and Film Scoring 1948-1978' (Routledge); John Howland, 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music' (University of California Press). Popular Music Books in Process Series, Fall 2021-Winter 2022
-
ForedragHowland, John Louis. (2022) Book launch presentation: John Howland, 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music'. Book launch presentation
-
KonferanseforedragHowland, John Louis. (2022) Paul Whiteman and Modern Metropolitan Impressions, 1927–1940. PAUL WHITEMAN IN AMERICAN MUSIC: A Symposium at Williams College Bernhard Music Center August 27, 2022
-
KonferanseforedragHowland, John Louis. (2022) Nobrow in the New Millennium?: The Postminimalist Affinities of New York's Indie Rock and Indie Classical Communities in the 2000s. Classical Music in Contemporary Media and Society
-
ForedragHowland, John Louis; Hammill, Faye; Guthrie, Kate. (2022) Conversations on Art and Life: Music and the Middlebrow. Book launch discussion
2021
-
IntervjuHowland, John. (2021) Campaign for the American Reader, Pg. 99 Blog: John Howland's "Hearing Luxe Pop".
-
ForedragHowland, John. (2021) Soundmania! Popular Music and Technology in the 1950s and 1960s. Soundmania! Popular Music and Technology in the 1950s and 1960s
-
KonferanseforedragHowland, John. (2021) Book Presentation: 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music". Book release presentation
-
Intervju
2019
-
ForedragHowland, John. (2019) Hollywood ‘Songs for Swingin’ Lovers: Frank Sinatra’s Hi-Fi Music for Playboys, Modern Romance and Martinis. public research talk at the archive
2017
-
KonferanseforedragHowland, John. (2017) Phil Spector and the ‘Fabulous’ Ronettes: Early 1960s ‘Teenage Symphonies’ and the American Lower Middlebrow. Music and the Middlebrow
2015
-
KonferanseforedragHowland, John. (2015) Between Jazz and Soul in the 1960s and 1970s. Colloquia series of the Department of Music
-
KonferanseforedragHowland, John. (2015) Isaac Hayes and the Intersections of Jazz and Soul in the Early 1970s. Invited guest lecture
2014
-
KonferanseforedragHowland, John. (2014) “Teenage Symphonies: The Production Process of Phil Spector and Jack Nitzsche, and the (Orchestral) Sound of Young America in the Early 1960s”. Art of Record Production Conference: Record Production in the Internet Age
2013
-
KonferanseforedragHowland, John. (2013) "Hot Buttered Soul" and Billboard Jazz: The Curious Case of Isaac Hayes and the Intersections of Jazz and Soul, 1969-1973. Rhythm Changes II: Rethinking Jazz Cultures
2011
-
KonferanseforedragHowland, John. (2011) Nobrow Pop in the New Millennium?: Sufjan Stevens, Nico Muhly, and Post-2000 Chamber Pop. American Musicological Society, annual meeting
-
KonferanseforedragHowland, John. (2011) On Background Bling and the Luxe Pop Legacy: A Long View on Jay- Z, Kanye West, and the Hustler Symphony Orchestra. Cash Rules Everything Around Me: Music and Money
2010
-
Intervju
-
Intervju
-
KonferanseforedragHowland, John. (2010) Jazz and Film: The Syncopated City and Craftsmanship. Faculty Research Speakers' Series of the John Cotton Dana Library, Rutgers University
-
ForedragHowland, John. (2010) Keynote lecture: Jazz Artists in the Concert Hall. Oakland East Bay Symphony Forum
-
KonferanseforedragHowland, John. (2010) On Background Bling and the Luxe Pop Legacy: A Long View on Jay-Z, Kanye West, and the Hustler Symphony Orchestra. University of Virginia, McIntire Dept. of Music’s Colloquium series
2009
-
IntervjuHowland, John. (2009) Interviewed for the “Eric in the Evening” show, hosted by Eric Jackson, on WGBH, Boston.
-
KonferanseforedragHowland, John. (2009) Luxe Pop in the (Symphonic) Jazz Age. School of Music Musicology Colloquium, University of Maryland College Park
-
Intervju
-
KonferanseforedragHowland, John. (2009) Luxe Pop: The Six Degrees of Separation from Jay-Z to Symphonic Jazz. American Musicological Society annual meeting
-
KonferanseforedragHowland, John. (2009) Keynote: The Symphonic Ellington and "A Tone Parallel to Harlem.". Echoes of Ellington: A Conference on the Music and Life of Duke Ellington
-
KonferanseforedragHowland, John. (2009) Luxe Pop: The Six Degrees of Separation from Jay-Z to Symphonic Jazz. Middlebrow Cultures
-
KonferanseforedragHowland, John. (2009) Jay-Z, the Hustler Symphony Orchestra, and the Legacy of Luxe Pop. Invited lecture
2008
-
Konferanseforedrag
-
Konferanseforedrag
-
KonferanseforedragHowland, John. (2008) Populuxe: The Birth of Glorified Pop in the (Symphonic) Jazz Age. Invited lecture at the Institute for Studies in American Music
2007
-
Konferanseforedrag
-
KonferanseforedragHowland, John. (2007) Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era. Invited lecture
-
Konferanseforedrag
-
KonferanseforedragHowland, John. (2007) “‘Negro Nuances’: Harlem Entertainment and ‘Glorified’ Popular Music in the 1920s". Society for American Music annual conference
-
KonferanseforedragHowland, John. (2007) 'The Melting Pot of Music’: Glorified ‘Jazz’ in American Entertainments of the Interwar Era. “De-Canonizing Music History,” International Symposium for Histories of Popular Music, Jazz, and Folk Music
2006
-
KonferanseforedragHowland, John. (2006) Between Jazz and the Great American Songbook. Musicology Department Colloquium Series, Indiana University
2005
-
Konferanseforedrag
-
Deltakelse i radio- eller TV
-
KonferanseforedragHowland, John. (2005) “Hollywood ‘Songs for Swingin’ Lovers’”. Society for American Music annual conference
-
KonferanseforedragHowland, John. (2005) “Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era”. Leeds International Jazz Conference
-
KonferanseforedragHowland, John. (2005) “Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era”. Greater New York Chapter meeting of the American Musicological Society
-
Konferanseforedrag
2004
-
KonferanseforedragHowland, John. (2004) Jazz Rhapsodies in Black and White: The Cultural Nexus of James P. Johnson’s “Yamekraw: A Negro Rhapsody.”. Jazz Research Round Table, Institute of Jazz Studies
-
KonferanseforedragHowland, John. (2004) “The Capitol Jazz Aesthetic”. American Studies Association annual meeting: Crossroads of Cultures
-
KonferanseforedragHowland, John. (2004) Orchestral Jazz Arranging and American Popular Music in the 1950s. 14th Nordic Musicological Congress
-
KonferanseforedragHowland, John. (2004) “‘Gershwinesque’ Paraphrases in Classical Hollywood Film”. Reviewing the Canon: Borrowed Music in Film
2003
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KonferanseforedragHowland, John. (2003) “The Whitemanesque Roots of Ellingtonian Extended Jazz Composition”. International Association for Jazz Education annual meeting
2002
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Konferanseforedrag
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Konferanseforedrag
2001
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KonferanseforedragHowland, John. (2001) The Melting Pot of Music: “Glorifying” the American Popular Song, and the Aesthetics of Whitemanesque Symphonic Jazz in 1920s Entertainment. Invited lecture
2000
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KonferanseforedragHowland, John. (2000) “Between the Muses and the Masses: Jazz Rhapsodies and the Emergence of Middlebrow Culture”. American Musicological Society annual meeting