Alene Mari Holder
Om
Forskning
Publikasjoner
2026
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Holder, Alene Mari;
Sisk, Brad Carlton;
Aresi, Stefano;
Arnoldo, Silvano.
(2026)
BEHIND ORLANDO: Staged extracts from Orlando by Antonio Vivaldi & Presentation on female cross-gende casting in eighteenth-century opera by PhD candidate Alene Mari Holder.
Annet kunstnerisk resultat
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Holder, Alene Mari;
Bucciarelli, Melania;
Strohm, Reinhard.
(2026)
Il furioso, il tiranno, e l’innamorato: Female Cross-Gender Casting in the Operas of Antonio Vivaldi.
Norwegian University of Science and Technology
Doktoravhandling
2024
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Holder, Alene Mari;
Johansen, Lars Henrik;
Tóth, Anna.
(2024)
Heroic Feminine: Arias from the operas of Antonio Vivaldi.
Musikk
2022
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Holder, Alene Mari;
Lüdemann, Winfried.
(2022)
"Raak getref én tog onaangetas gelaat." Musical setting of parodic texts in Roelof Temmingh’s Met apologie.
LitNet Akademies
Vitenskapelig artikkel
Tidsskriftspublikasjoner
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Holder, Alene Mari;
Lüdemann, Winfried.
(2022)
"Raak getref én tog onaangetas gelaat." Musical setting of parodic texts in Roelof Temmingh’s Met apologie.
LitNet Akademies
Vitenskapelig artikkel
Kunstneriske produksjoner
-
Holder, Alene Mari;
Sisk, Brad Carlton;
Aresi, Stefano;
Arnoldo, Silvano.
(2026)
BEHIND ORLANDO: Staged extracts from Orlando by Antonio Vivaldi & Presentation on female cross-gende casting in eighteenth-century opera by PhD candidate Alene Mari Holder.
Annet kunstnerisk resultat
-
Holder, Alene Mari;
Johansen, Lars Henrik;
Tóth, Anna.
(2024)
Heroic Feminine: Arias from the operas of Antonio Vivaldi.
Musikk
Studentoppgave eller avhandling
-
Holder, Alene Mari;
Bucciarelli, Melania;
Strohm, Reinhard.
(2026)
Il furioso, il tiranno, e l’innamorato: Female Cross-Gender Casting in the Operas of Antonio Vivaldi.
Norwegian University of Science and Technology
Doktoravhandling
Undervisning
Emner
Formidling
2025
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KonferanseforedragHolder, Alene Mari. (2025) (Cross-)gender roles in early eighteenth-century Italian Opera. Musikkutdanning i utvikling – læring i felleskap, MiU25
2024
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Intervju
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KonferanseforedragHolder, Alene Mari. (2024) Maria Maddalena Pieri and her interpretation of male roles in the operas of Antonio Vivaldi. Women, Opera, and the Public Stage in Eighteenth-Century Venice: Research Conference
2023
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KonferanseforedragHolder, Alene Mari. (2023) Singing not reading: Challenging the prominence of the score in Baroque opera research. Challenges to dominant science and knowledge production
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KonferanseforedragHolder, Alene Mari. (2023) Lucia Lancetti and her interpretation of male roles at the Teatro Sant’ Angelo. THE TEATRO SANT’ANGELO AT THE TIME OF ANTONIO VIVALDI (1700-1740) International Conference