2025

• Konferanseforedrag
  Bucciarelli, Melania; Sisk, Brad Carlton; Aresi, Stefano; Colonna, Deda Cristina; Arnoldo, Silvano. (2025) International Outlook: The WoVen Project. Her Perspective: the Forgotten History of Opera. International Seminar About Operas Composed by Women (Copenhagen, 27-28 November 2025)
• Konferanseforedrag
  Sisk, Brad Carlton. (2025) The Through-Composed Accompagnato Finale from Venice to Vienna: The “Romanine” as Transnational Agents of the (Proto-)Reform of Opera Seria. Women as Agents for the Pan-European Mobility of Italian Opera in the Eighteenth Century
• Foredrag
  Bucciarelli, Melania; Sisk, Brad Carlton. (2025) Urettmessig glemt? Orlandini, Venezias opera-mester. Barokkfest/Early Music Festival 2025

2024

• Konferanseforedrag
  Sisk, Brad Carlton. (2024) «Voli – così detti – sublimi». Caterina Aschieri, la star di Sofonisba (1745), la prima opera tragica di Jommelli. L’Europa di Jommelli: Alchimie settecentesche di un «gran maestro» e «potentissimo mago». Convegno internazionale di studi per il 250° anniversario della morte. di Jommelli
• Konferanseforedrag
  Sisk, Brad Carlton. (2024) The Pleasures of Emotional Pain in the Opera Seria Peroratio​. "Ending, closing, quitting/stopping…and continuing. Aesthetic, artistic, and literary practices of finalization." (TBLR Norwegian Researcher Training School)
• Konferanseforedrag
  Sisk, Brad Carlton. (2024) La nuda vita nel "genere" dell'opera seria: Personaggi di donne castigate dall'antica Roma (Placidia, Berenice e Ottavia) nei repertori paralleli della Tilla e della Bordoni​. Roma: Crocevia delle arti tra Seicento e Novecento
• Konferanseforedrag
  Sisk, Brad Carlton. (2024) A Fate Worse than Death? Banishment, Political Tragedy, and the 'Addio Roma' Topos in the Venetian Collaborations of Bordoni and Orlandini​. Women, Opera and the Public Stage in Eighteenth-Century Venice: International Conference

2023

• Konferanseforedrag
  Sisk, Brad Carlton. (2023) Getting in the Last Word: Diva-Driven Dramaturgy at the Teatro Sant'Angelo (1700-1721). Literary and Cultural Eighteenth-Century Studies (LACES) seminar: Spotlight on "Women, Opera and the Public Stage in Eighteenth-Century Venice (WoVen)" research project
• Konferanseforedrag
  Sisk, Brad Carlton. (2023) Unweaving Seria Narratives: Towards Updated Ontologies of Opera Seria "Scioglimenti". "Narratives: The story of how a literary concept grew interdisciplinary", PhD Research Seminar of the "Text, Image, Sound, Space" (TBLR) Researcher Training School
• Konferanseforedrag
  Sisk, Brad Carlton. (2023) L’Artaxerse e gli sviluppi del linguaggio drammaturgico-musicale dell’ultimo Cesti. “Gloria e splendore delle scene secolari”: Pietro Antonio Cesti nel IV centenario della nascita (Arezzo, 1623). Convegno internazionale di studi
• Konferanseforedrag
  Sisk, Brad Carlton. (2023) "Li Balli sono d'Invenzione di ​Madama Susanna Dentis": Opera Seria Case Studies for “Hacking” Male Spaces and Feminizing the Canon, the Curriculum, and Authorship Categories. "Music in Action"
• Konferanseforedrag
  Sisk, Brad Carlton. (2023) «A genio di questa regolerà il Dramma». L'ultima parola delle Prime Donne del Teatro Sant'Angelo (1700-1720). Il teatro Sant’Angelo ai tempi di Vivaldi (1700—1740): Convegno Internazionale di studi

2022

• Foredrag
  Sisk, Brad Carlton. (2022) "Les Abencérages" di Cherubini: Un'opera pro o contro Napoleone?. "The Sound of the Empire" (lecture series)

2018

• Konferanseforedrag
  Sisk, Brad Carlton. (2018) Stanislavski for... Singers? A Comparative Analysis of Stanislavskian and Rival Approaches to Operatic Staging. "Italian Opera On Stage from Monteverdi to Verdi" (course code: PS17522)

2012

• Konferanseforedrag
  Sisk, Brad Carlton. (2012) "O Pioneers": European (Im)migrants who Standardized U.S. Operatic Traditions and Singing Techniques in the Late Nineteenth Century". 19th Congress of the International Musicological Society