Eirik Frisvold Hanssen

 

FORSKNINGSINTERESSER:

filmhistorie, fjernsynshistorie, tidlig film, estetikk, intermedialitet, teknologi, arkiv, kulturteori

UNDERVISNING:

filmteori; dokumentarfilm; filmhistorie

PUBLIKASJONER:

I utvalg:

• "Symptoms of Desire: Color, Costume, and Commodities in Fashion Newsreels of the 1910s and 1920s", Film History: An International Journal, 21:2 (2009), 107-121.
• "The Paradoxes of Textual Fidelity: Translation and Intertitles in Victor Sjöström's Silent Film Adaptation of Henrik Ibsen's Terje Vigen" (med Anna Sofia Rossholm), Translation, Adaptation and Transformation, ed. Laurence Raw (London/New York: Continuum, 2012), 145-161.
• Early Discourses on Colour and Cinema: Origins, Functions, Meanings (doktoravhandling, Stockholms universitet, 2006)
• "Eisenstein in Colour", Konsthistorisk tidskrift / Journal of Art History, 73:4 (2004)
• "Welcome to the Nordvision: Nordic Unity and Diversity as Televisual Representation", videoactive.eu (2009)
• "The Fairy-Tale Theatre: Reception and Authorship at the Margins of the Ingmar Bergman Archive" (konferansepaper, Archives and Auteurs, University of Stirling 2009)
  
• "Colour and the Construction of Film History in the Catalogue of Kinemacolor Film Subjects (1912)", The Ages of Cinema: Criteria and Models for the Construction of Historical Periods, red. Enrico Biasin et al (Udine: Forum, 2008)
• "Analysen: Pushwagner", montages.no (2011)
• "Analysen: Bambieffekten", montages.no (2011)
• "Analysen: Fjellet", montages.no (2011)
• "Coup de coeur: Paraplyene i Cherbourg", montages (2011)
• "Dokumentarfestival, førstesider og blandebånd", ArtSceneTrondheim (2011)